The metaphysical multiverse comedy “Everything Everything All at Once” wrapped its hot dog fingers around Hollywood’s top awards on Sunday.with prizes , And .
While the world is far from Oscar bait, Daniel Kwan and Daniel Scheinert’s anarchic ballet of everything bagels, googly-eyed rocks and a messy tax audit emerged as an unlikely Academy Awards heavyweight. A24’s second Best Picture winner behind the indie hit, “Moonlight,” won seven Oscars in all.
Fifty years after “The Godfather” won the Oscar, “Everything Everywhere All at Once” triumphed with a very different immigrant experience. This is the eccentric story about a Chinese immigrant family – only the second feature byknown as the filmmaking duo — science fiction and alternate reality mixed in the story of an ordinary woman and a laundromat owner.
“Everything Everywhere,” released in March 2022, helped revive arthouse cinemas after two years of pandemic, grossing more than $100 million in ticket sales. And despite initially having few expectations of Oscar glory, “Everything Everything All at Once” became both a blockbuster (“Top Gun: Maverick,” “Avatar: The Way of Water”) and a critical darling (“Tar,” “The Banshees of Inishreen”). Who topped it. )
Yeh became the first Asian woman to win Best Actress for her acclaimed performance in “Everything Everywhere All at Once.” Malaysian-born Yeh, 60, won his first Oscar for a performance that relied as much on his comic and dramatic chops as his kung fu skills. She is the first Best Actress win for a non-white actress in 20 years.
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“Ladies, don’t ever let anyone tell you that you’re past your prime,” said Yeh, who received a rousing standing ovation.
Yeh dedicated the award to her mother and “all the mothers of the world”.
“They are truly superheroes, and without them, none of us would be here tonight,” he said, echoing director Cowan, who also thanked Ma in his acceptance speech.
Best director winners, Daniels — both 35 — won their second and undecided Oscar bait for the feature. They are the third directing duo to win the award, following Robert Wise and Jerome Robbins (“West Side Story”) and Joel and Ethan Coen (“No Country for Old Men”). Scheinert dedicated the award to “Mothers of the World”.
Best Actor went to Brendan Fraser, returning center stage for the former action star’s 600-pound body transformation. Private Professor of “The Whale”. The best-actor race was one of the closest contests of the night, but Fraser ultimately edged out Austin Butler.
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“So this is what the multiverse looks like,” says a visibly moved Fraser, pointing to the “everything everywhere all at once” crew.
Former child star Quan capped his own remarkable comeback with an Oscar for Best Supporting Actor for his performance in the indie hit “Everything Everywhere All at Once.” Cowan, a favorite for short rounds in “Indiana Jones and the Temple of Doom” and as Data in “Goonies,” quit acting before landing a role in “Everything Everywhere All at Once.”
Her win, among the most anticipated of the night, was nevertheless one of the most moving moments of the show. The audience — including her “Temple of Doom” director, Steven Spielberg — gave Kwan a standing ovation as she broke down in tears.
“Mom, I just won an Oscar!” said Quan, 51, whose family fled the war in Vietnam when he was a child.
“My journey started on a boat,” Kwan said. “I spent a year in a refugee camp and somehow I ended up here on the biggest stage in Hollywood. They say stories like this only happen in movies. I can’t believe it’s happening to me. It’s the American dream.”
Minutes later, Cowan’s castmate Jamie Lee Curtis won the award for Best Supporting Actress. His win in this year’s most competitive category, denied him a victory for comic-book fans. Angela Bassett (“Black Panther: Wakanda Forever”) was the first actress to win an Oscar for a Marvel movie.
It also made history for Curtis, a first-time winner who referred to herself as “a Nepo baby” during her win at the Screen Actors Guild Awards. She is the rare Oscar winner whose parents were both Oscar nominees, which she passionately noted in her speech. Tony Curtis was nominated for “The Defiant Ones” in 1959 and Janet Leigh was nominated for “Psycho” in 1961. Curtis thanked the “hundreds” of people who put him in this position.
The German-language WWI epic “All Quiet on the Western Front” — Netflix’s top contender this year — took home four awards as the Academy Award for Anti-War Filmmaking. It won for Cinematography, Production Design, Score and Best International Film.
Although Bassett missed fellow actress, Ruth E. Carter won for his costume design for “Wakanda Forever,” four years after becoming the first black designer to win an Oscar for “Black Panther.” This made Carter the first black woman to win two Oscars.
“Thank you to the Academy for recognizing a black woman as a superhero,” Carter said. “She endures, she loves, she overcomes, she is every woman in this film.”
Carter dedicated the award to his mother, who he said died last week at age 101.
The telecast, which aired live on ABC, opened traditionally: with a medley of the year’s movies (Kimmel edited into a cockpit on “Top Gun: Maverick”) and a long monologue. Kimmel, hosting for the third time, made several references to Will Smith’s infamous Chris Rock slap at the previous year’s event.
“If something unexpected or violent happens during the show, do what you did last year — nothing,” the comedian said during his monologue.
Kimmel also joked that this year, “there are strict policies” in case of another violent outburst.
“If someone in this theater commits an act of violence at any point during the show, you will be given the Oscar for best actor and allowed to give a 19-minute long speech,” he said, referring to Smith’s 2022 win after his slap. .
After breakthrough wins for Chloé Zhao (“Nomadland”) and Jane Campion (“The Power of the Dog”), no women were nominated for Best Director. Sarah Polley, however, won best adapted screenplay for the metaphor-rich Mennonite drama “Women Talking.”
“Thank you to the Academy for not being terribly offended by the words ‘woman’ and ‘speaking,'” said Polley.
Daniel Rohr’s “Navalny” took best documentary about imprisoned Russian opposition leader Alexei Navalny. The film’s win comes with clear glimpses of Navalny’s ongoing imprisonment and Vladimir Putin’s continuing war in Ukraine. Yulia Navalnaya joined the filmmakers on stage.
“My husband is in prison just for telling the truth,” said Navalnaya. “Stay strong my love.”
Some big names were not present for other reasons. Neither Tom Cruise, whose “Top Gun: Maverick” was up for Best Picture, nor Best Picture nominee director James Cameron’s “Avatar: The Way of Water” was at the ceremony. Both are at the forefront of Hollywood’s efforts to bring back moviegoers after years of pandemic.
“The two guys who told us to go back to the theater are not in the theater,” said Kimmel, who added a shirtless cruise on “Top Gun: Maverick” to “L. Ron Hubba Hubba.”
After last year’s Oscars, which stripped some categories from being handed out to live telecasts, the Academy has restored all awards to the show and is leaning toward traditional song and dance numbers. That means some show-stopping numbers, including an intimate, emotional rendition of Telugu action-film sensation “RRR’s” elastic suspender dance to “Natu Natu”.from “Top Gun: Maverick” and a Super Bowl follow-up to Rihanna.
Originally, it was announced that Lady Gaga would not be able to perform due to scheduling conflicts with the filming of “Joker: Folly a Deux”. However, she hit the red carpet before the show and ET confirmed that she plans to perform.
The best song is “Natu Natu”.
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This means a long show. “Slaps like this miss a bit, don’t they?” Kimmel mid show.
The first award of the night went to “Guillermo del Toro’s Pinocchio” for Best Animated Film. It gave Netflix its first Oscar in the category.
After last year’s slap, the academy created a crisis management team to better respond to shocks. Neither Rock, who recently gave his strongest statement yet about the incident in a live special, nor Smith, who was banned by the Academy for 10 years, was in attendance.
The Academy Awards are trying to recapture some of its former luster. One thing works in its favor: This year’s Best Picture field was stacked with blockbusters Ratings usually go up when the nominees are more popular, which is certainly the case for “Top Gun: Maverick” and “Avatar: The Way of Water.”
Didn’t win much though. “The Way of Water,” which grossed more than $2.28 billion at the box office, won for best visual effects. The “Top Gun” sequel ($1.49 billion), took best sound.
Last year, Apple TV’s “CODA” became the first streaming movie to win Best Picture. But this year, nine of the top 10 films were released in theatres After the movie business suffered during the pandemic, moviegoing recovered to about 67% of pre-pandemic levels. But it was full of upbeat and theatrical smash hits and anxiety-inducing silences.
This year, ticket sales have been strong for releases like “Creed III” and “Cocaine Bear” — which is not a but.
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Elizabeth Banks, who directed “Cocaine Bear,” announced the nominees for best visual effects alongside co-hosts dressed in full bear costumes. Banks’ new thriller, which has grossed $65 million worldwide since opening in theaters just weeks ago, is inspired by the true story of a 175-pound black bear in Georgia 40 years ago that apparently ingested a large dose of cocaine dropped from a plane. Run by a convicted drug smuggler.
“Without the visual effects, the bear would look like this,” Banks said. “It’s horrible.”
But storm clouds remain on the horizon. The Writers Guild and major studios are set to begin contract talks on March 20, an open battle that has much of the industry bracing for the possibility of work stoppages across film and television.
Oscar is also looking for stability. Last year’s telecast attracted 16.6 million viewers, a 58% increase from the scaled-down version in 2021, watched by a record low 10.5 million.